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Category Archives: Poetry
Light and Its Aftereffects
Lux fiat. Verbum est. Stepping out of the tradition into a displacement of sorts. this account of light as an acquired characteristic became propositional just as every forest would come to speak to us as a verb “North by South” … Continue reading
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Radius of Radiance
We set here as a prelude to a page from Ronald Johnson Radi Os (Berkeley: Sand Dollar, 1977) what are the concluding lines of T.S. Eliot’s “Little Gidding”, the last of the Four Quartets. Not known, because not looked for … Continue reading
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The Fullness of Words
Adrienne Rich Sources The Heyeck Press, Woodside, 1983 The poem ends with the expressed desire to rest “among the beautiful and common weeds” but recognizes there is no such rest. A phrase has occurred at intervals throughout the sequence: an … Continue reading
Interstitial
If there is any doubt about the technical term “bearing down” it would be dispelled by one look at the cover of Penny Chalmers (Penn Kemp) Bearing Down (Coach House Press, 1972). It is of course about the joys and … Continue reading
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Expansive Minimalism
Ronald Johnson Eyes & Objects (Catalogue for an Exhibition: 1970-72) Jargon Society, 1976 The beginning from “The Inside-out Sphere” I offer this sphere I found, like water held in a rind of light. And an ending from the end of … Continue reading
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Joy is Not Happiness; It is Happy – A Matter of Luck
George Johnston in “Convocation Address: Queen’s University, 29/5/71” distinguishes between happiness and joy. Love is very dear. Happiness, unhappiness, getting our own way and so forth cost the Earth. But joy is free, unasked-for, unexpected, undeserved as an honorary degree. … Continue reading
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Liminal
At the end, on the last page of A Poem As Long As The Highway by Douglas Barbour there is a set of lines that mark the ongoing nature of the poem as an act of cognition (learning). Set off-centre … Continue reading
In the Earth’s Shadow
Eclipse. Iris. All night the blood moon measures the dilation of your pupil, pinprick or dinner plate in this plenum where our attention fails to die. A stanza from one of the poems (there are many) entitled “Standard Time” in … Continue reading
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Leaf by Leaf by Colour
It could have been laid out as a pair with a caesura: bronze by bronze, crimson by reft crimson or stacked via line breaks: bronze by bronze, crimson by reft crimson but instead we have a stress on “reft” resulting … Continue reading
Majestic Is Often Used
Words are insufficient: the mountains “remain to be described” And yet the poet establishes a sort of grandeur “in whatever mode”: They wait to be described […] geologist, surveyor, artist: crowsfeet on a map, the heavy colours cut and carved, … Continue reading
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