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Category Archives: Poetry
Food in Lear
Most of his limericks that feature food are devoted to the demise of the character due to overeating or feature curious food choices such as spiders. This limerick stands out for me because not only of its edible element but … Continue reading
Posted in Food Writing, Poetry
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Gate and Way
These lines are from a stanza (room) at the end of the first page of the first poem (not the end of the poem). The omniscient third person speaker keeps the distance between guest and host alive with possibility and … Continue reading
Posted in Poetry, Translations
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Howard “Trapping” Browning
Opening lines of the dramatic monologue by Robert Browning, “My Last Duchess” where the Duke of Ferrara guides a visitor to a portrait That’s my last Duchess painted on the wall, Looking as if she were alive. I call That … Continue reading
Concentration Contemplation
Nelson Ball in the introduction to Konfessions of an Elizabethan Fan Dancer by bpNicol (Coach House Press, 2004) writes Concrete poetry at its best is a contemplative poetry, allowing the writer and the reader to consider visual, aural and literal … Continue reading
Posted in Poetry
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Dream Snatcher – Poem Hatcher
From biology through mythology, Kay Ryan ends this poem with an allusion to Coleridge’s Visitor. Don’t answer the door. Make some time, just some wee bit of time, to relish the judiciously placed repetition . . . as if examining … Continue reading
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Gene Splicing
Stitching a new beast … POETRY BEING AT A DEAD END POETRY IS DEAD. HAVING ACCEPTED THIS FACT WE ARE FREE TO LIVE THE POEM. Imagine the / interlocking uninsistent / tunes of drifting things. THE POEM WILL LIVE AGAIN … Continue reading
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Tools & Letters & Spaces
Nelson Ball has a poem “for and after bpNichol” in The Continuous Present (Coburg: Proper Tales Press, 2012). He notes that “The visual poems were written while I was editing the Coach House Books edition (2004) of bpNichol’s Konfessions Of … Continue reading
Posted in Booklore, Poetry
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Bravura
There is a very swish “d” dancing on the title on the cover of The Rose Concordance (BookThug, 2009) by Angela Carr. Here is my own little concordance of lines from The Rose Concordance: [22] cartilage of the reader, the … Continue reading