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Category Archives: Reading
Shine
Robert Haas ends “Songs to Survive the Summer” which itself ends Praise with the following set of verses: all things lustered by the steady thoughtlessness of human use. Through the polish of use the objects in our daily lives develop … Continue reading
Punctuating
bp Nichol, “Y for Victor” collected in As Elected: Selected Writing. The form is of an ABC acrostic. Note the initial words to each line: alphabet […] beginning […] creates […] dreams […] escape […] These form the first line … Continue reading
Textual Autonomy Read Radically
Brian Stock, “Language and Cultural History” in New Literary History v. 18 (Spring 1987), 657-70. However in a written as opposed to a spoken text, the author is no longer physically present, and the audience, being abstract, is potentially universal. … Continue reading
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Scratches, Pauses
Reflecting on Barthes invoking tmesis (also spelt tsmesis), thinking about pauses in our reading and how skimming is like swimming, I come to realize that speed like going slow is a fast way to the undertones of the undertow of … Continue reading
Posted in Poetry, Reading
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What Works Well
The preparation for reading appeals to all the senses. It is a cross-modal activity. It sounds like a lot of fun. Teachers help children become more aware of the phonemes within words through a sort of armamentarium of opportunities — … Continue reading
Proofing, Reading, Discovering
Jonah Lehrer in the chapter “Gertrude Stein: The Structure of Language” in Proust Was a Neuroscientist What Stein discovered was a writing style that celebrated its grammatical mistakes. In her most radical prose, she manages to make us conscious of … Continue reading
Literacy Promotion
A newspaper clipping explaining “When the button on the blank foolscap-like poster is pushed, a voice explains there are no words on the ad because ‘five million adult Canadians would not be able to read them.’” The message from the … Continue reading
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Fluency and Literacy
The following, rearranged as verse, strikes one as more than just a call to pay attention to oral dimensions. It is in a sense a call to overcome self-censorship in order to become engaged. What you think, you can say. … Continue reading
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Entranced
Alice A. Parker in the entry on Nicole Brossard in The Gay and Lesbian Literary Heritage: A Reader’s Companion to the Writers and their Works from Antiquity to the Present edited by Claude J. Summers writes Translation, like writing, opens … Continue reading
Posted in Reading, Translations
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