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Hate, really?
February 2007 The Walrus Kay Armatage “Gertrude Stein’s Radical Grammar” The publishers do a disservice to the argument and the facts put forth by asserting in the table of contents that the article is about “Why Gertrude Stein hated commas”. … Continue reading
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Recollecting collections
R. Rawdon Wilson, In Palamedes’ Shadow: Explorations in Play, Game, and Narrative Theory (1990) p. 168 Indeed, to understand one such collection may make the others tenuous: their boundaries, to use one of Derrida’s images, may begin to tremble. The … Continue reading
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Just a Job
A brief passage from Pat Cadigan Tea from an Empty Cup (1998) offers a view of game environments and their attractions. The guitar-player smiled. “What you want is simple. All you had to do was state it in the proper … Continue reading
Sinuous Sentence
Patricia Meyer Spacks from Boredom Examining them [literary and cultural works] under the rubric of boredom reveals surprising connections among them and uncovers unpredictable animating energies. A story of research and discovery is recapitulated in those unpredictable animating energies uncovered. … Continue reading
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Flowers, an economy of legacies
Julia Kristeva in The Samurai translated by Barbara Bray rewards the reader who remembers to note the flowers. Observe first the father-in-law of a character named Olga: Jean de Montlaur loved gardening after Gérard had done the heavy work: trimming … Continue reading
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Positions
A character created by Julia Kristeva in The Samurai translated by Barbara Bray takes a look at some fascinating people: Olga put the camera down and looked at them affectionately. These feverish intellectuals were infectious. They were restless. Accelerated particles. … Continue reading
Imagination au pouvoir; pouvoirs d’imagination
—<–@ Abbie Hoffman, Woodstock Nation: A talk-rock album “Thorns of the Flower Children” begins thus: Once upon a time, about a generation ago, right after the thirteen-thousand-seven-hundred-and-sixty-fourth demonstration against the war in Vietnam, young people started to congregate in an … Continue reading
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Readers, Intergenerational
A photograph by Sidney Weaver adorns the back dust jacket of 1968 Citadel publication of Secrets of the British Museum by Peter Fryer (originally published as Private Case — Public Scandal 1966) It is a touching photograph which given the … Continue reading
Broken Circles, Scattered Pearls
A passage from Edmund Gosse on Swinburne’s compositional technique offers some alternative vocabulary to the nodes and webs of hypertext. From Aspects and Impressions It may be observed that Dolores is a rosary of stanza-beads on an invisible string; in … Continue reading
Zest for Zen
Mikhail Bulgakov The Master and Margarita translated by Diana Burgin and Katherine Tiernan O’Connor provides a most marvellous set of casuistic teasers. Despite the theater manager’s promise to Azazello never to lie again, he began with a lie. Although one … Continue reading