Thinking Through Actions and Images

Lev Manovich
Software Takes Command

p. 97-98

According to Kay, the key step for him and his group was to start thinking about computers as a medium for learning, experimentation, and artistic expression which can be used not just by adults but also by “children of all ages.” Kay was strongly influenced by the theory of the cognitive psychologist Jerome Bruner. Bruner developed his theory by redefining the ideas of Jean Piaget who postulated that children go through a number of distinctive intellectual stages as they develop: a kinesthetic stage, a visual stage, and a symbolic stage. But while Piaget thought that each stage only exists for a particular period during a child’s development only to be completely replaced by a new stage, Bruner suggested that separate mentalities that correspond to these stages continue to exist as the child grows. That is, the mentalities do not replace each other but are added. Bruner gave slightly different names to these different mentalities: enactive, iconic, and symbolic. While each mentality has developed at different stages of human evolution, they continue to co-exist in an adult.

Kay’s interpretation of [Bruner’s] theory was that a user interface should appeal to all these three mentalities. In contrast to a command-line interface, which is not accessible for children and forces the adult to use only symbolic mentality, the new interface should also make use of emotive and iconic mentalities. Kay also drew on a number of studies on creativity in math, science, music, art and other areas which suggested that initial creative work is done mostly in iconic mentality and also in enactive. This provided additional motivation for the idea that if computers were to function as a dynamic medium for learning and creativity they should allow their users to think not only through symbols but also through actions and images.

Imagining through actions and thoughts.

And so for day 3082
20.05.2015

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Inside and Outside

R. Murray Schafer
The Tuning of the World

[T]he string quartet and urban pandemonium are historically contemporaneous.

A study in contrasts.

And so for day 3081
19.05.2015

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Wilding

Matthew Walsh
“For my future wilderness”
These are not the potatoes of my youth

Ending of a poem & ending of a book …

I can be this poem. I can be wilderness.

And so for day 3080
18.05.2015

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LEAVEN

bread
broken
stolen
bread
crumbs

And so for day 3079
17.05.2015

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Advice

Katherena Vermette
“how to argue”
river woman

never use the word
never
or always
think of what you want
not only how you feel

And so for day 3078
16.05.2015

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Follow the Pen Stroke

Jessi MacEachern
Ravishing the Sex into the Hold

The inkpot ceased blushing. The heavenly hierarchy dipped their pen.

They were only the bodies of ghosts following birds of the heart.

And so for day 3077
15.05.2015

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Teaching Things

Laurie Anderson
Spending the War Without You
Norton Lectures

“Your tools teach you things.”

1:44:46 from the Q+A at the end of Lecture 6: Birds

https://www.youtube.com/watch?v=mj_JN1delKU

And so for day 3076
14.05.2015

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The Unsaid But Not Unfelt

Nnedi Okorafor
Binti: The Night Masquerade

A most delightfully understated curtain drop:

I kissed him on the neck and soon found my way to his lips.

We forgot ourselves for a while.

End of chapter.

And so for day 3075
13.05.2015

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Love A Tautology

Louise M. Rosenblatt
“The Poem as Event”
The Reader, the Text, the Poem: The Transactional Theory of the Literary Work

Language is a socially generated and socially generative phenomenon.

Replace “generation” with “degeneration” to generate an entropic view.

And so for day 3074
12.05.2015

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Circling a Syntagm

Jan Rune Holmevik & Cynthia Haynes
MOOniversity

To participate, you write. To write, you think. To think, you learn.

And implied that learning is a product of participation.

And so for day 3073
11.05.2015

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