Canada Customs Protest

In the mid 1980s… Kingston Customs House

Canada Customs was seizing gay porn and writing that depicted anal intercourse. The issue was raised with some urgency as sexually explicit material was necessary for spreading the word about safe sex.

Yours truly created some erotica and invited the public to judge the case against censorship. The words are now available (materials in the adjoining entry unlocked with the password “stanza”)

https://berneval.hcommons-staging.org/2012/06/26/canada-customs-protest-materials/

What began as protest lives on as celebration.

And so for day 2022
26.06.2012

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Territory and Traversal

Miriam Nichols Radical Affections: Essays on the Poetics of Outside

This critique of empiricism ultimately derives from Immanuel Kant. In the Kantian tradition, the things of perception are organized by a priori categories of understanding. These are categories that are innate to the human mind are not derived from experience. In Kant’s account of the transcendental field, the categories are quantity (unity, plurality, totality); quality (reality, negation, limitation); relation (substance, cause, community); and modality (possibility, existence, necessity). Modern philosophies or psychologies that emphasize the mediating role of language or sexuality on perception are indebted to Kant, however much they revise Kant’s arguments.

[How do modality (possibility, existence, necessity) relate to relation (substance, cause, community)?]

And so for day 2021
25.06.2012

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Hotbed

The elaborate layering exploited the heat generated by the composting. Ingenious.

As the weather warmed up and we moved toward summer, the main crops were planted — corn, beans, melons, and peanuts. Sweet potato plants were ready for pulling from the hotbed — a structure made of 4 x 3 x 3 boards stationed in a corner of the garden. The bed was made by filling in a 6-inch layer of fresh stable horse manure that was then covered over with a 4-inch layer of dry oak leaves and few twigs of green pine needles. A 4-inch layer of old hay was added and that was topped with a 5-inch layer of clean, dry sand. The bed was then covered with a piece of old blanket or canvas and left to heat up for a few days. When the temperature in the hotbed reached 70˚, specially selected sweet potatoes were inserted into the sand, and the cover replaced. The bed was aired daily, every afternoon when the temperature was at its highest, and sprinkled lightly with warm water during incubation. When the plants reached a height of 5 inches, the bed was left uncovered so that the plants could toughen before setting them in the open ground.

Edna Lewis. The Taste of Country Cooking.

And so for day 2020
24.06.2012

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Mind Leaps to Spryness

Richard Ronan. A Lamp of Small Sorrow: Four Fu Poems.

cover - A lamp of small sorrow - Richard Ronan poet - Bill Rancitelli illustrator

Lucian Stryk in the preface concludes

But what impresses me most about A Lamp of Small Sorrow is not so much its closeness to Taoism or Zen, though the closeness is palpable and altogether present in each section. Rather it is the feeling that the sequence had to be written, and that the poet, seemingly lost and overwhelmed in a harsh impoverished landscape, rises above it through meeting it directly, honestly and with great sensitivity. Richard Ronan in this lovely book tells the story of a spirit encountering its absolute context.

A note of abstraction that would seem amiss were it not for the exergue on the facing page.

of sorrow let oil be made
let rags of sorrow
be made into wicks
mark out the stars
     for each season
make of these
     a lamp of small sorrow
be brave, old friend, be brief

And glowing in this body of work are illustrations by Bill Rancitelli each as suggestive as this one capturing the feel of spring: eyes shielded from the light and scanning the skies and an armful of pussy willows, dog sniffing the damp earth — all bespeak of anticipation.

illustration - A lamp of small sorrow - Richard Ronan poet - Bill Rancitelli illustrator 1979

Word and image moving the mind to contemplation.

And so for day 2019
23.06.2012

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The Spryness Leaps to Mind

Richard Ronan. Buddha’s Kisses.

The poem “Gacela” opens with the figure of Lorca contemplating death and “the boy”. By means of repeated words and short lines the poem builds image of a heart beat and a vast openness…

[…]
and
if this were
the singing
of the sea
harping
in his ear
constantly
and
[…]

A tiny word “and” and over its continuing repetition emerges a big surf sound in the ear.

Bill Rancitelli - illustration - Buddha Kisses

As perfect accompaniment are drawings by Bill Rancitelli – also built up of small repeated elements animating the surface in a turn of surf.

And so for day 2018
22.06.2012

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The Anything Everything List

Karin Cope

Passionate Collaborations: Learning to Live With Gertrude Stein

For when I began really to understand something about Gertrude Stein and her difficult words, I was not contemplating the example of Stein so much as acting it out. And in this acting, I began to ask why most of the crucial domains of our lives, those never simply discursive or critical, and always highly affective domains of passion appetite, self-esteem, sorrow, relatedness, pleasure, fabulation, love, movement, memory, touch, dreaming, fear, sensory delight — those domains from and in which what we do takes its weight and value — have, for the most part, fallen from the capacities of what we tend to consider properly critical address.

Note how fabulation is located between pleasure and love. And love is between fabulation and movement.

And so for day 2017
21.06.2012

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Slivers of Silvering

He gives us this general statement and immediately situates it (“I am making a big connection here between writing, coming out, and community.”)

Any art wants to take the place of your reflection in the mirror and call for your recognition. It makes you become it like a magic spell—with words, images, representations. That is why a new self, like a new aesthetic form, like any new approach to art, is something of a scandal. That’s why readers experience shock and outrage, or relief and urgency. New form, new content demand a new way of being, a new way of seeing our own life, just as new vocabulary calls forth its meanings in your life. It is at this starting point that an art movement, or a political movement, has moral life. The appearance of a new self in fiction will be tested and taken as a demand as much as a description. A dishonest picture is a traitor, an enemy of the common good.

Robert Glück. “My Community” in Communal Nude: Collected Essays

What if one backed up to the fabrication of the mirror and not merely being entranced by the reflections it produces?

ephemera - Eaton - silvering mirror

The silver coating is applied in multiple layers to provide a rich, lustrous appearance and adequate strength of deposit.
***
L’argenture est appliquée en couches multiples, qui se renforcent tout en donnant au lustre sa pleine richesse.

And so for day 2016
20.06.2012

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Learning Absorbing

Towards the end of How I Read Gertrude Stein Lew Welch shares this realization:

Stein has everywhere stated that she “hears” speech rhythms, and I have only recently been able to do so. It is a very exciting thing to be able to do, and to be able to do it one has to be able to listen to “meanings” and “rhythms” as if they were two separate things.

It is almost impossible to do this if one simply sets out to learn it. I tried to just learn to do it, and found that I could not do both at once. I was left staring after a question was asked me, simply because I did not hear the question, I only heard the rhythm and the rising inflection that indicated to me that a question had been asked. So I stopped trying. But suddenly one day I found that I was doing it quite naturally because I had been reading so much of Stein.

Setting out. Taking it. Setting out.

And so for day 2015
19.06.2012

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Scholarship and Cosmos

From nine first lines

The light foot hears you at the edge
Thickened light and liquid earth
Grail quests in times of plague
Instabilities of interminable
Fiery inclinations toward obscure
Indications of ripened peaches
The light at the end of unforeseen
Circulations of vanishing conversations
Protean racket intercessions were always

Nine Blue Moments for Robin. Michael Boughn

And here is a piece from the seventh of these homages to Robin Blaser

[…]
ashes. Peacock flesh from old
poems preens in reflections flashing
with clearly discerned intrusions
of glory eruptions eschewing
finely boned displays of self
determined perfections for the sheer
joy of raunchy instigations
and unheard of worlds written
asunder.
[…]

The line breaks and enjambement along with the diction and vocabulary evoke what is elsewhere in the suite of poems referred to as “scholarship and cosmos teeming / with the sense of a kiss that never / quite ends because its beginning / was impossible”.

And so for day 2014
18.06.2012

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Defiance

From a 1993 group show, these three posters by Richard Hydal provide a note of defiance to the show’s title: I Love You But You’re Dead.

Richard Hydal - poster - we must ask who constructs the crisis

As someone concerned with HIV we must not fall into the stereotypes and cliches of AIDS. As artists, we need to look at how we represent AIDS. We must ask who constructs the crisis and why such a construction is formed at such a time and at such a place. You must question and reject the various crisis mentalities constructing AIDS around or within you!

ART IS NOT ENOUGH! TAKE DIRECT ACTION TO END THE AIDS CRISIS!

richard Hydal - poster - the very notion of crisis

The very notion of ‘crisis’ in the context of AIDS raises critical questions about the politics of representation. Apart from headlining the epidemic, making it horrific news on par with wars and stock market crashes, what has the term ‘crisis’ done to organize our perceptions of the syndrome and it[s] cultural impact? How has it constructed AIDS for us without having to think about it?

We can all perceive that AIDS has been used to articulate profound social fears and anxieties, into a dense web of racism, patriotism and homophobia. It is this web, spun out of words sticky with blood lust, contempt, hatred and hysteria, which hangs across the entire media industry of the western world and within us all.

ART IS NOT ENOUGH! TAKE DIRECT ACTION TO END THE AIDS CRISIS!

richard Hydal - poster - as someone who sees

As someone who sees the global development of the disease represented to me I ask why is no one telling me the end is not near! That what we have here is a chronic manageable disease!

TAKE DIRECT ACTION TO END THE AIDS CRISIS!

ART IS NOT ENOUGH!

And with these bleeding colours and words, we revisit that tombstone:

ephemera - group show - I love you but you're dead

The mourning is carried over into the fight for the living.

And so for day 2013
17.06.2012

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