More Moon

Lunar meditations that have me shivering at the modest repetition of the word “more” and thrilled that intimations of mortality provide occasions for such eloquence along the slippery spine of syntax.

Because, once looked at lit
By the cold reflections of the dead
Risen extinct but irresistible,
Our lives have never seemed more full, more real,
Nor the full moon more quick to chill.

James Merrill. “Voices from the Other World” in The Country of A Thousand Years of Peace.

And so for day 291
01.10.2007

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Patina, Rust, and Wishful Thinking

The “Instructions to My Mother” become by poem’s end directives to the reader implying some reflection on their own aging. We are invited to avoid pondering about decay and focus on a fine patina.

And never tell me
I’m ‘getting grey,’
but that I am wise in skin,
sturdy-minded in bone and
beautywise in the ways of old women.
Never immune to flattery

Marilyn Dumont. A Really Good Brown Girl.

And so for day 290
30.09.2007

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Kaffeeklatch Talk

Found in reviews of a coffee house situated in Atlanta, Georgia, variant spellings of “spiel”

spheal

a long schpeeeeel

Playful ways to describe barista disquisitions on the making of a good cup. A purist, I think I will stick to the official spelling and its aroma of the German origins in the word meaning to play.

And so for day 289
29.09.2007

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Disassociation Assembled

Years ago I participated in a workshop about stress management.

Staying Resilient in Stressful Times - participant manual

Staying Resilient in Stressful Times

One of the exercises involved drawing a picture of our body experiencing stress.

Body Under Stress

Depiction of Body under stress from a workbook about building resiliency

Flying apart. It is now like a mandala and less a whirl of lost parts and more a spot to begin to breathe again.

And so for day 288
28.09.2007

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2002 Same Difference

Maurizio Cattelan’s Him come upon after a teddy bear depiction context produces quite the effect as recorded by Sascha Hastings in Now.

Yet the real shocker comes in a small dead-end room at the end of a long photo-lined passageway. Kneeling on the floor is Maurizio Cattelan‘s Him, a child-sized Hitler effigy. His eyes are turned up toward a small transom of light, his hands folded as though praying for absolution.

Teddies Bared by Sascha Hastings - review of a 2002 show at Ydessa Hendeles Art Foundation

Scan of an article from Now – review of a 2002 show at Ydessa Hendeles Art Foundation

“Teddies bared” a review of Same Difference at Ydessa Hendeles Art Foundation in 2002.

And so for day 287
27.09.2007

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Types of Squatting

Home is always borrowed.

As nomads camp where others camped before,
As mice find winter digs under the stair,
As this year’s swallows build their summer nest
Among the raftered nurseries of the past;
As mosses lodge in crevices of stone-
We too lodge in lodgings not our own.

From “Two Entries in the Annals of Wayfaring” by Richard Tillinghast.

And so for day 286
26.09.2007

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One More Letter from a Boss

Another letter from another boss. Dante Camisa, owner of Dante’s Tavern and Restaurant in Kapuskasing wrote a lovely TO WHOM IT MAY CONCERN letter in all caps in September 1979. As befits a bus boy, I am accorded the following description:

HE GOT ALONG VERY WELL WITH ALL OF HIS CO-WORKERS. HE WAS ALWAYS VERY PUNCTUAL, VERY NEAT IN APPEARANCE AND VERY PLEASANT AND POLITE.

Dante - Letter of Recommendation

Recommendation letter from Dante Camisa

All traits that would make a mother proud

And so for day 285
25.09.2007

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Fallen Apples

In a specimen book produced by Gaspearau Press for National Poetry month, I found some selections from Ross Leckie’s Gravity’s Plumb Line including the poem “Apples”. I like the description of windfalls as

perfections that paradise couldn’t hold.

which in Leckie’s poem is the continuation of a simile (the apples “are strewn / across the ground like the fallen angels, / perfections that paradise couldn’t hold.”

In my mind the many apples meld into the one and I misremember the line as “perfection that paradise couldn’t keep” — conflating paradise with the garden by way of a French recollection of the “Paradis terrestre”.

And so for day 284
24.09.2007

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Whither the Way

Ernest Renan. “What is a Nation?”

A nation’s existence is, if you will pardon the metaphor, a daily plebiscite, just as an individual’s existence is a perpetual affirmation of life.

If a nation is like an individual, is it too subject to mortality? It gives new poignancy to “withering away of the state”.

And so for day 283
23.09.2007

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Tall Thin Lines of Alliance

In Viewing Trees I isolate a line by Eavan Boland describing a stand of poplars and the slim commentary suggests how very evocative the line is. Consider now “K219, Adagio” from Jan Zwicky Songs for Relinquishing the Earth whose last lines are disposed as a tercet:

rain’s vowelless syntax,
how mathematics was an elegy
the slenderness of trees.

Boland’s exquisitely specific “poplars” and Zwicky’s most lovely abstraction “slenderness”, bring to mind a contrasting view with “Requiem for the Trees” by Robert Gibb where blighted elms are turned “into usable thermals of wood”. And itself belongs in the same forest as Tree Destiny.

I’m not suggesting any relationship of influence between these poets or poems. I am intrigued however about how a collection of specimens forms a verbal equivalent of an arboretum or some little copse thick with intertextuality.

And so for day 282
22.09.2007

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