Discursive Dislocations

Leo Bersani
“Representation and Its Discontents”
in Allegory and Representation ed. Stephen Greenblatt (150-151).

Sexuality would be that which is intolerable to the structured self.

[… commentary on Jean Laplanche Life and Death in Psychoanalysis … ]

Sexuality would be desire satisfied as a disruption or destabilization of the self. It would therefore not be originally an exchange of intensities between individuals, but rather a condition of broken negotiations with the world.

[…]

An imitative sympathy is crucial to our ability to learn, and in the context of a more general epistemological investigation, one might speculate about the effects on our presumed knowledge of the world of a learning process that destabilizes the relations between subject and object and transforms the world into an excessive, sexualizing psychic expenditure.

And so for day 3112
19.06.2015

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Winter Haiku

Summer solstice reading:
Liz Howard, “Archaeology”
The Capillano Review

I enter your book and someone laughs
A pile of sentences to bring in for the winter

Winter solstice reading:
After Luke Bedford:

icy fog
ransacking
campgrounds

Lines from THE FOG by Luke Bradford

icy fog blankets
the rambling dusk of
the campgrounds

A truly captivating image … campgrounds / rambling dusk / fog blankets

And so for day 3111
18.06.2015

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Buttered Asphalt

Khashayar Mohammadi
Me, You, Then Snow

The figure of asphalt reappears through out the book and forms a ribbon of associations.

my brain buttered to asphalt

we paved a new path to the mind

and listen to the gentle static
of car tires on wet asphalt
a motorway behind every window

with asphalt crackling
hidden from sight
but ever present

And so for day 3110
17.06.2015

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Beyond Ending

David Rakoff
Love, Dishonor, Marry, Die, Cherish, Perish
with illustrations by Seth

Accomplished on many fronts: a novel in verse.

A novel weaving the delicate impingement of characters across plot lines, little tricks of narration fostering in the reader a knowingness about connections…

One of the stories tells of the making of a picture, the picture then is found years later by a character in an unrelated plot line. Aside from the provenance, there is the illustration of said picture: you turn the page and you are in the position of the character viewing the picture. The mimicry works as a majestic if subdued finale. It is the book’s magic that the reader experiences both a reckoning with time’s passage and a moment lifted out of time.

There was just so much Now that the picture encapsed In the shot, this despite more than six-decades elapsed.

And so for day 3109
16.06.2015

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Interlacing the Being of Boys

Out of a much longer erotic poem, these lines jump like an epigram.

It was a finger that inched forward—
then a hand fully clasped—fingers interlaced.
Then a kiss. A blush. We were just boys.

Stephen S Mills
“How We Became Sluts”

https://queenmobs.com/2016/07/poems-stephen-s-mills/

Placed in my reading beside these quoted lines (witness to the ephemeral from elsewhere):

We hardly perceive a fraction of our living
  there was a new tenderness touching my cheek
    and then you died

Lisa Robertson
“The Tiny Notebooks of Night”
Boat

And so for day 3108
15.06.2015

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Parental Guidance

Rated PG for elements of exaggerated meanness and ridicule, and for some mild language

Motion Picture Association of America Rating for Matilda

The movie based on the novel by Roald Dahl has indeed not only exaggerated meanness but also lots and lots of it.

And so for day 3107
14.06.2015

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Cyclamen & Hazelnut

Lisa Robertson
“The Hut”
Boat

             where snow  is very rare
                 it  sn  owed
              there are  no unities
just this long season o  f the coincidence of
           hazelnuts an  d cyclamen.

It is the concluding quasi-hendiadys (flowers and edibles) that makes this reader concur with the coincidence of long season and rare snow – for no particular reason.

And so for day 3106
13.06.2015

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Being Gone as Mode of Letting Go

Kim Hyesoon
“Seoul, Book of the Dead – Day Twenty-Two”
Autobiography of Death
trans. Don Mee Choi

No one will miss you
Fly away freely
When light arrives, offer your eyes
When wind arrives, offer your ears

And so for day 3105
12.06.2015

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Beyond Mere Description

Gillian Sze
“The Hesitant Gaze”
quiet night think

Ekphrasis is not only to compose a text inspired by the artwork itself, but also to be carried off by the uncontainable surge of memory and affect, judgment and speculation.

Teasing out what might be and might be felt from what was assessed and remembered.

And so for day 3104
11.06.2015

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Observing Details

Dr. Selia Karsten’s Course
“Holistic Approaches to Information Technology”

http://astralsite.com/5011/

Note that the top banner graphic doesn’t link every machine to the same network. There are breaks. (for me this represents the space for the human to be the connecting agent through synapses).

The banner images is composed out of one small image of four linked computers repeated four times. A common practice in the days of slower connectivity.

Liked computer work stations - from Dr. Selia Kartson's course webpage
screen shot of image banner Dr. Selia Karsten's course webpage

And so for day 3103
10.06.2015

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